My work is an ongoing exploration of identity, memory, and the stories that shape both the individual and the collective. Rather than offering definitive answers, I engage with these themes through a process of discovery, seeking to uncover and examine the hidden emotions and untold narratives that often go unnoticed. Drawing from the oral histories of my community and my personal experiences, I use color, symbolism, and texture to create layers of meaning that invite reflection and inquiry.

A key element of my practice is approaching my work through the lens of a child’s perspective—unfiltered, curious, and open to possibility. In my process, I often find myself engaging in a dialogue with younger versions of myself, blending their unguarded view of the world with the knowledge and experiences I’ve gained over time. This interaction between past and present serves as a way of building new narratives, exploring the intersections of personal history and the broader cultural context.

Trained in the tradition of Mughal miniature painting, I adapt its intricate techniques to develop my own unique language and form of making. The fine, purposeful linework typical of this tradition is reinterpreted to reflect movement, energy, and a sense of urgency, as I seek to convey both the delicate and the dynamic aspects of human existence. This blend of historical form and contemporary sensibility allows me to explore themes of growth, transformation, and the passage of time.

At the core of my work is a desire to create space for dialogue—between past and present, between individual experience and collective memory. I view my practice as a means of uncovering complex layers of meaning and inviting viewers into a process of reflection. Through my art, I aim to create a space where both vulnerability and strength can coexist, and where the often-overlooked aspects of human experience are given a platform for exploration and understanding