
Viraj Khanna
Post Drinking Look, 2024
Embroidery on Cotton
27 x 34.6 in
Viraj Khanna's unique embroidery-on-cotton characters bring life to India's encounter with globalized aspiration. Referencing consumer culture alongside the wider contemporary art canon, Viraj's figures are hybrids of desires and feelings,...
Viraj Khanna's unique embroidery-on-cotton characters bring life to
India's
encounter with globalized aspiration. Referencing consumer culture
alongside the wider contemporary art canon, Viraj's figures are hybrids
of desires
and feelings, composite beings that are a blur of sensations, wants,
and cultural referents. His distinct, imaginative figurative style
employs Indian techniques of embroidery, finding a youthful voice to
speak to a moment of global encounter. His creative use of traditional
embroidery techniques like zardozi and ari bring the aesthetics of
India's global consumer culture--defined by fashion and design--into a
painterly mode, combining languages of realism and abstraction to speak
to the emerging modes of being in South Asia.
Produced in collaboration with West Bengal based artisans: Sekh Idrish, Rasul Laskar, Sajahan Laskar, Jamal Mondal, Rafik Mistri, Anishuddin Mondal, Bharat Sardar, Saidul Sekh, Pronab Sardar, Manajat Mondal, Nurul Haque Molla, Amadulla Laskar, Afsar Ali, Jaki Moua, Alauddin Gayan, Haydar Ali Molla, S.K. Sirajul, Julfikar Laskar, Barjahan Sekh, Mohaffar Laskar, Ashik Ali, Abdul Rahman Fakir, Jahangir Laskar, Mostakin Laskar, Najrul Sardar, Jahangir Sardar, S.K. Monirul, Md. Ajij Mallick, Md. Israil, Md. Kalimuddin, Abdul Shabbir, Asfar S.K.
India's
encounter with globalized aspiration. Referencing consumer culture
alongside the wider contemporary art canon, Viraj's figures are hybrids
of desires
and feelings, composite beings that are a blur of sensations, wants,
and cultural referents. His distinct, imaginative figurative style
employs Indian techniques of embroidery, finding a youthful voice to
speak to a moment of global encounter. His creative use of traditional
embroidery techniques like zardozi and ari bring the aesthetics of
India's global consumer culture--defined by fashion and design--into a
painterly mode, combining languages of realism and abstraction to speak
to the emerging modes of being in South Asia.
Produced in collaboration with West Bengal based artisans: Sekh Idrish, Rasul Laskar, Sajahan Laskar, Jamal Mondal, Rafik Mistri, Anishuddin Mondal, Bharat Sardar, Saidul Sekh, Pronab Sardar, Manajat Mondal, Nurul Haque Molla, Amadulla Laskar, Afsar Ali, Jaki Moua, Alauddin Gayan, Haydar Ali Molla, S.K. Sirajul, Julfikar Laskar, Barjahan Sekh, Mohaffar Laskar, Ashik Ali, Abdul Rahman Fakir, Jahangir Laskar, Mostakin Laskar, Najrul Sardar, Jahangir Sardar, S.K. Monirul, Md. Ajij Mallick, Md. Israil, Md. Kalimuddin, Abdul Shabbir, Asfar S.K.
Courtesy of Rajiv Menon Contemporary
Copyright The Artist